15 May 2011
Cuckoo Clock
Harry Lime: Don't be so gloomy. After all it's not that awful. Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love - they had 500 years of democracy and peace, and what did that produce? The cuckoo clock. So long Holly.
05 May 2011
The Road Not Taken by Robert Frost, 1874 - 1963
TWO roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
07 April 2011
Dorothy Parker quotations
*By the time you swear you're his,
Shivering and sighing,
And he vows his passion is infinite, undying-
Lady, make a note of this:
One of you is lying.
*I like to have a martini,
Two at the very most.
After three I'm under the table,
After four I'm under my host
*Woman wants monogamy;
Man delights in novelty.
Love is woman's moon and sun;
Man has other forms of fun.
Woman lives but in her lord;
Count to ten, and man is bored.
With this the gist and sum of it;
What earthy good can come of it?
*Love is like quicksilver in the hand.
Leave the fingers open and it stays.
Clutch it, and it darts away
Shivering and sighing,
And he vows his passion is infinite, undying-
Lady, make a note of this:
One of you is lying.
*I like to have a martini,
Two at the very most.
After three I'm under the table,
After four I'm under my host
*Woman wants monogamy;
Man delights in novelty.
Love is woman's moon and sun;
Man has other forms of fun.
Woman lives but in her lord;
Count to ten, and man is bored.
With this the gist and sum of it;
What earthy good can come of it?
*Love is like quicksilver in the hand.
Leave the fingers open and it stays.
Clutch it, and it darts away
The Dismantled Ship by Walt Whitman, 1819 - 1892
In some unused lagoon, some nameless bay,
On sluggish, lonesome waters, anchor'd near the shore,
An old, dismasted, gray and batter'd ship, disabled, done,
After free voyages to all the seas of earth, haul'd up at last and
hawser'd tight,
Lies rusting, mouldering.
On sluggish, lonesome waters, anchor'd near the shore,
An old, dismasted, gray and batter'd ship, disabled, done,
After free voyages to all the seas of earth, haul'd up at last and
hawser'd tight,
Lies rusting, mouldering.
06 April 2011
Emily Dickinson Quotes
*A wounded deer leaps the highest.
*Celebrity is the chastisement of merit and the punishment of talent.
*Dying is a wild night and a new road.
*Find ecstasy in life; the mere sense of living is joy enough.
*For love is immortality.
*Forever is composed of nows.
*Fortune befriends the bold.
*He ate and drank the precious Words, his Spirit grew robust; He knew no more that he was poor, nor that his frame was Dust.
*Hope is the thing with feathers that perches in the soul - and sings the tunes without the words - and never stops at all.
*Celebrity is the chastisement of merit and the punishment of talent.
*Dying is a wild night and a new road.
*Find ecstasy in life; the mere sense of living is joy enough.
*For love is immortality.
*Forever is composed of nows.
*Fortune befriends the bold.
*He ate and drank the precious Words, his Spirit grew robust; He knew no more that he was poor, nor that his frame was Dust.
*Hope is the thing with feathers that perches in the soul - and sings the tunes without the words - and never stops at all.
iPoem by George Bilgere, 1951 -
Someone's taken a bite
from my laptop's glowing apple,
the damaged fruit of our disobedience,
of which we must constantly be reminded.
There's the fatal crescent,
the dark smile
of Eve, who never dreamed of a laptop,
who, in fact, didn't even have clothes,
or anything else for that matter,
which was probably the nicest thing
about the Garden, I'm thinking,
as I sit here in the café
with my expensive computer,
afraid to get up even for a minute
in order to go to the bathroom
because someone might steal it
in this fallen world she invented
with a single bite
of an apple nobody, and I mean
nobody,
was going to tell her not to eat.
from my laptop's glowing apple,
the damaged fruit of our disobedience,
of which we must constantly be reminded.
There's the fatal crescent,
the dark smile
of Eve, who never dreamed of a laptop,
who, in fact, didn't even have clothes,
or anything else for that matter,
which was probably the nicest thing
about the Garden, I'm thinking,
as I sit here in the café
with my expensive computer,
afraid to get up even for a minute
in order to go to the bathroom
because someone might steal it
in this fallen world she invented
with a single bite
of an apple nobody, and I mean
nobody,
was going to tell her not to eat.
Bernard Malamud, 1914 - 1986

Novelist Bernard Malamud was born in Brooklyn, New York (1914). His parents were Jewish immigrants from Russia, and they struggled to survive on the income from a tiny grocery store. He fell in love with movies when he was a kid, especially Charlie Chaplin movies, and found that he enjoyed retelling the plots of those movies to his classmates. He wanted to write, but he graduated from college in the middle of the Depression, and he was struggling just to earn enough money to eat and pay the rent. In 1940, he got a job as a clerk in the U.S. Census Bureau. He spent mornings checking drainage ditch statistics, but as soon as that work was done he would crouch over his desk and write short stories on company time.
Having discovered what he wanted to write about, Malamud decided to find a job that would give him more time for writing. So he applied for a position teaching freshman composition at Oregon State College. And it was there, thousands of miles away from his hometown in Brooklyn, that Malamud began to write stories mixing Jewish mysticism with his memories of people from his old neighborhood. They would eventually become the stories in his first collection, The Magic Barrel (1958). (less)
05 April 2011
Essays of Francis Bacon, 1561 - 1626
Of Studies
STUDIES serve for delight, for ornament, and for ability. Their chief use for delight, is in privateness and retiring; for ornament, is in discourse; and for ability, is in the judgment, and disposition of business. For expert men can execute, and perhaps judge of particulars, one by one; but the general counsels, and the plots and marshalling of affairs, come best, from those that are learned. To spend too much time in studies is sloth; to use them too much for ornament, is affectation; to make judgment wholly by their rules, is the humor of a scholar. They perfect nature, and are perfected by experience: for natural abilities are like natural plants, that need proyning, by study; and studies themselves, do give forth directions too much at large, except they be bounded in by experience. Crafty men contemn studies, simple men admire them, and wise men use them; for they teach not their own use; but that is a wisdom without them, and above them, won by observation. Read not to contradict and confute; nor to believe and take for granted; nor to find talk and discourse; but to weigh and consider. Some books are to be tasted, others to be swallowed, and some few to be chewed and digested; that is, some books are to be read only in parts; others to be read, but not curiously; and some few to be read wholly, and with diligence and attention. Some books also may be read by deputy, and extracts made of them by others; but that would be only in the less important arguments, and the meaner sort of books, else distilled books are like common distilled waters, flashy things. Reading maketh a full man; conference a ready man; and writing an exact man. And therefore, if a man write little, he had need have a great memory; if he confer little, he had need have a present wit: and if he read little, he had need have much cunning, to seem to know, that he doth not. Histories make men wise; poets witty; the mathematics subtile; natural philosophy deep; moral grave; logic and rhetoric able to contend. Abeunt studia in mores. Nay, there is no stond or impediment in the wit, but may be wrought out by fit studies; like as diseases of the body, may have appropriate exercises. Bowling is good for the stone and reins; shooting for the lungs and breast; gentle walking for the stomach; riding for the head; and the like. So if a man’s wit be wandering, let him study the mathematics; for in demonstrations, if his wit be called away never so little, he must begin again. If his wit be not apt to distinguish or find differences, let him study the Schoolmen; for they are cymini sectores. If he be not apt to beat over matters, and to call up one thing to prove and illustrate another, let him study 197 the lawyers’ cases. So every defect of the mind, may have a special receipt.
STUDIES serve for delight, for ornament, and for ability. Their chief use for delight, is in privateness and retiring; for ornament, is in discourse; and for ability, is in the judgment, and disposition of business. For expert men can execute, and perhaps judge of particulars, one by one; but the general counsels, and the plots and marshalling of affairs, come best, from those that are learned. To spend too much time in studies is sloth; to use them too much for ornament, is affectation; to make judgment wholly by their rules, is the humor of a scholar. They perfect nature, and are perfected by experience: for natural abilities are like natural plants, that need proyning, by study; and studies themselves, do give forth directions too much at large, except they be bounded in by experience. Crafty men contemn studies, simple men admire them, and wise men use them; for they teach not their own use; but that is a wisdom without them, and above them, won by observation. Read not to contradict and confute; nor to believe and take for granted; nor to find talk and discourse; but to weigh and consider. Some books are to be tasted, others to be swallowed, and some few to be chewed and digested; that is, some books are to be read only in parts; others to be read, but not curiously; and some few to be read wholly, and with diligence and attention. Some books also may be read by deputy, and extracts made of them by others; but that would be only in the less important arguments, and the meaner sort of books, else distilled books are like common distilled waters, flashy things. Reading maketh a full man; conference a ready man; and writing an exact man. And therefore, if a man write little, he had need have a great memory; if he confer little, he had need have a present wit: and if he read little, he had need have much cunning, to seem to know, that he doth not. Histories make men wise; poets witty; the mathematics subtile; natural philosophy deep; moral grave; logic and rhetoric able to contend. Abeunt studia in mores. Nay, there is no stond or impediment in the wit, but may be wrought out by fit studies; like as diseases of the body, may have appropriate exercises. Bowling is good for the stone and reins; shooting for the lungs and breast; gentle walking for the stomach; riding for the head; and the like. So if a man’s wit be wandering, let him study the mathematics; for in demonstrations, if his wit be called away never so little, he must begin again. If his wit be not apt to distinguish or find differences, let him study the Schoolmen; for they are cymini sectores. If he be not apt to beat over matters, and to call up one thing to prove and illustrate another, let him study 197 the lawyers’ cases. So every defect of the mind, may have a special receipt.
31 March 2011
Walt Whitman, 1819 - 1892
*A great city is that which has the greatest men and women.
*A morning-glory at my window satisfies me more than the metaphysics of books.
*After you have exhausted what there is in business, politics, conviviality, and so on - have found that none of these finally satisfy, or permanently wear - what remains? Nature remains.
*All faults may be forgiven of him who has perfect candor.
*And I will show that nothing can happen more beautiful than death.
*And there is no trade or employment but the young man following it may become a hero.
*And whoever walks a furlong without sympathy walks to his own funeral drest in his shroud.
*And your very flesh shall be a great poem.
*Behold I do not give lectures or a little charity, When I give I give myself.
*Do I contradict myself? Very well, then I contradict myself, I am large, I contain multitudes.
*Every moment of light and dark is a miracle.
*Freedom - to walk free and own no superior.
*Give me odorous at sunrise a garden of beautiful flowers where I can walk undisturbed.
*Have you heard that it was good to gain the day? I also say it is good to fall, battles are lost in the same spirit in which they are won.
*Have you learned the lessons only of those who admired you, and were tender with you, and stood aside for you? Have you not learned great lessons from those who braced themselves against you, and disputed passage with you?
*He most honors my style who learns under it to destroy the teacher.
*Henceforth I ask not good fortune. I myself am good fortune.
*A morning-glory at my window satisfies me more than the metaphysics of books.
*After you have exhausted what there is in business, politics, conviviality, and so on - have found that none of these finally satisfy, or permanently wear - what remains? Nature remains.
*All faults may be forgiven of him who has perfect candor.
*And I will show that nothing can happen more beautiful than death.
*And there is no trade or employment but the young man following it may become a hero.
*And whoever walks a furlong without sympathy walks to his own funeral drest in his shroud.
*And your very flesh shall be a great poem.
*Behold I do not give lectures or a little charity, When I give I give myself.
*Do I contradict myself? Very well, then I contradict myself, I am large, I contain multitudes.
*Every moment of light and dark is a miracle.
*Freedom - to walk free and own no superior.
*Give me odorous at sunrise a garden of beautiful flowers where I can walk undisturbed.
*Have you heard that it was good to gain the day? I also say it is good to fall, battles are lost in the same spirit in which they are won.
*Have you learned the lessons only of those who admired you, and were tender with you, and stood aside for you? Have you not learned great lessons from those who braced themselves against you, and disputed passage with you?
*He most honors my style who learns under it to destroy the teacher.
*Henceforth I ask not good fortune. I myself am good fortune.
28 March 2011
The Armful by Robert Frost, 1874 - 1963
For every parcel I stoop down to seize
I lose some other off my arms and knees,
And the whole pile is slipping, bottles, buns,
Extremes too hard to comprehend at. once
Yet nothing I should care to leave behind.
With all I have to hold with hand and mind
And heart, if need be, I will do my best.
To keep their building balanced at my breast.
I crouch down to prevent them as they fall;
Then sit down in the middle of them all.
I had to drop the armful in the road
And try to stack them in a better load.
Poet Robert Frost was born in San Francisco (1874). His father was a journalist and a hard drinker who died of tuberculosis when Frost was 11 years old. Frost moved with his mother to New England to live near family. He didn't do well in college. He dropped out of both Dartmouth and Harvard without taking a degree. He wanted to marry his high school sweetheart and tried to impress her with a book of poems he'd written. When she wasn't impressed, he considered drowning himself in a swamp, but decided not to go through with it at the last minute.
He finally married the girl and supported himself as a teacher for a few years, writing poetry on the side. Then, in 1900, he and his wife lost their first child, which sent Frost into a deep despair. So his grandfather took pity on him and bought him a farm in Derry, New Hampshire, in hopes that it would give him a steady income. Frost never really took to farming, but it gave him something to write about, and it was in those years on the farm that he began to write the poems that would make his name.
He published his first two collections, A Boy's Will (1913) and North of Boston (1914), the latter of which contains many of Frost's early masterpieces, including "Mending Wall," "The Death of the Hired Man," "After Apple-Picking," and "Home Burial."
Source: The Writer's Almanac by Garrison Keillor
Robert Frost
Fireflies in the Garden
Here come real stars to fill the upper skies,
And here on earth come emulating flies,
That though they never equal stars in size,
(And they were never really stars at heart)
Achieve at times a very star-like start.
Only, of course, they can't sustain the part.
I lose some other off my arms and knees,
And the whole pile is slipping, bottles, buns,
Extremes too hard to comprehend at. once
Yet nothing I should care to leave behind.
With all I have to hold with hand and mind
And heart, if need be, I will do my best.
To keep their building balanced at my breast.
I crouch down to prevent them as they fall;
Then sit down in the middle of them all.
I had to drop the armful in the road
And try to stack them in a better load.
Poet Robert Frost was born in San Francisco (1874). His father was a journalist and a hard drinker who died of tuberculosis when Frost was 11 years old. Frost moved with his mother to New England to live near family. He didn't do well in college. He dropped out of both Dartmouth and Harvard without taking a degree. He wanted to marry his high school sweetheart and tried to impress her with a book of poems he'd written. When she wasn't impressed, he considered drowning himself in a swamp, but decided not to go through with it at the last minute.
He finally married the girl and supported himself as a teacher for a few years, writing poetry on the side. Then, in 1900, he and his wife lost their first child, which sent Frost into a deep despair. So his grandfather took pity on him and bought him a farm in Derry, New Hampshire, in hopes that it would give him a steady income. Frost never really took to farming, but it gave him something to write about, and it was in those years on the farm that he began to write the poems that would make his name.
He published his first two collections, A Boy's Will (1913) and North of Boston (1914), the latter of which contains many of Frost's early masterpieces, including "Mending Wall," "The Death of the Hired Man," "After Apple-Picking," and "Home Burial."
Source: The Writer's Almanac by Garrison Keillor
Robert Frost
Fireflies in the Garden
Here come real stars to fill the upper skies,
And here on earth come emulating flies,
That though they never equal stars in size,
(And they were never really stars at heart)
Achieve at times a very star-like start.
Only, of course, they can't sustain the part.
24 March 2011
What Have I Got to Complain About
David Wolk Budbill 1940-
We've got enough money now not to worry every minute
about where the next dollar is coming from.
We even go to the movies once in a while.
We've got a nice collection of friends.
Our house is sturdy and well built.
It keeps us warm and stands well against the storms.
The larder is full of rice.
There are plenty of potatoes down cellar.
The freezer is full of vegetables I grew myself.
In the face of all that, slights to my vanity
seem frivolous and nonsensical.
What have I got to complain about?
We've got enough money now not to worry every minute
about where the next dollar is coming from.
We even go to the movies once in a while.
We've got a nice collection of friends.
Our house is sturdy and well built.
It keeps us warm and stands well against the storms.
The larder is full of rice.
There are plenty of potatoes down cellar.
The freezer is full of vegetables I grew myself.
In the face of all that, slights to my vanity
seem frivolous and nonsensical.
What have I got to complain about?
22 March 2011
E.B. White, 1899 - 1985
The essayist and children's writer E.B. White, was born Elwin Brooks White in Mount Vernon, New York (1899).
After college, he had a few gigs as a journalist, taking time in between to travel across the country with a friend in a Model T and to work on a cruise ship in Alaska. Then he moved back to New York, and he picked up The New Yorker the year it came out, liked it, and sent some pieces in. He was a regular contributor and a couple of years later became a staff member. He married Katharine Angell, an editor at the magazine.
After 11 years in the city, they moved to a farmhouse in rural Maine. White kept writing for The New Yorker, but he also started publishing a monthly essay in Harper's called "One Man's Meat," about his experience with rural life. He especially liked to write about the animals he kept on his farm.
E.B. White had 18 nephews and nieces, and they were always asking him to tell stories. He wasn't very good at thinking up stories on the spot, so he started working on a children's book so that he would always have a story on hand. He had gotten the idea years before — as he remembered it, "I took a train to Virginia, got out, walked up and down in the Shenandoah Valley in the beautiful springtime, then returned to New York by rail. While asleep in an upper berth, I dreamed of a small character who had the features of a mouse, was nicely dressed, courageous, and questing. When I woke up, being a journalist and thankful for small favors, I made a few notes about this mouse-child — the only fictional figure ever to have honored and disturbed my sleep." So he slowly collected more and more stories about the mouse-child, and after about 15 years he had a real manuscript, and his wife suggested that he send it to a publisher. He did, and that book was Stuart Little (1945), which begins: "When Mrs. Frederick C. Little's second son arrived, everybody noticed that he was not much bigger than a mouse."
After a young pig he was raising got sick and he failed to save its life, he wrote one of his most famous essays, "Death of a Pig." Then he wrote a children's novel in which the pig doesn't have to die: Charlotte's Web (1952). It's the story of a runt pig named Wilbur who is saved the first time by a little girl and the second time by a wise spider, and it was inspired by White's observations of the animals on his farm, including the spiders. It is one of the best-selling children's books of all time.
E.B. White said, "I arise in the morning torn between a desire to improve the world and a desire to enjoy the world. This makes it hard to plan the day." (less)
After college, he had a few gigs as a journalist, taking time in between to travel across the country with a friend in a Model T and to work on a cruise ship in Alaska. Then he moved back to New York, and he picked up The New Yorker the year it came out, liked it, and sent some pieces in. He was a regular contributor and a couple of years later became a staff member. He married Katharine Angell, an editor at the magazine.
After 11 years in the city, they moved to a farmhouse in rural Maine. White kept writing for The New Yorker, but he also started publishing a monthly essay in Harper's called "One Man's Meat," about his experience with rural life. He especially liked to write about the animals he kept on his farm.
E.B. White had 18 nephews and nieces, and they were always asking him to tell stories. He wasn't very good at thinking up stories on the spot, so he started working on a children's book so that he would always have a story on hand. He had gotten the idea years before — as he remembered it, "I took a train to Virginia, got out, walked up and down in the Shenandoah Valley in the beautiful springtime, then returned to New York by rail. While asleep in an upper berth, I dreamed of a small character who had the features of a mouse, was nicely dressed, courageous, and questing. When I woke up, being a journalist and thankful for small favors, I made a few notes about this mouse-child — the only fictional figure ever to have honored and disturbed my sleep." So he slowly collected more and more stories about the mouse-child, and after about 15 years he had a real manuscript, and his wife suggested that he send it to a publisher. He did, and that book was Stuart Little (1945), which begins: "When Mrs. Frederick C. Little's second son arrived, everybody noticed that he was not much bigger than a mouse."
After a young pig he was raising got sick and he failed to save its life, he wrote one of his most famous essays, "Death of a Pig." Then he wrote a children's novel in which the pig doesn't have to die: Charlotte's Web (1952). It's the story of a runt pig named Wilbur who is saved the first time by a little girl and the second time by a wise spider, and it was inspired by White's observations of the animals on his farm, including the spiders. It is one of the best-selling children's books of all time.
E.B. White said, "I arise in the morning torn between a desire to improve the world and a desire to enjoy the world. This makes it hard to plan the day." (less)
17 March 2011
Prayer for Our Daughters by: Mark Jarman, 1952 -
May they never be lonely at parties
Or wait for mail from people they haven't written
Or still in middle age ask God for favors
Or forbid their children things they were never forbidden.
May hatred be like a habit they never developed
And can't see the point of, like gambling or heavy drinking.
If they forget themselves, may it be in music
Or the kind of prayer that makes a garden of thinking.
May they enter the coming century
Like swans under a bridge into enchantment
And take with them enough of this century
To assure their grandchildren it really happened.
May they find a place to love, without nostalgia
For some place else that they can never go back to.
And may they find themselves, as we have found them,
Complete at each stage of their lives, each part they add to.
May they be themselves, long after we've stopped watching.
May they return from every kind of suffering
(Except the last, which doesn't bear repeating)
And be themselves again, both blessed and blessing.
_______
A Prayer for my Daughter William Butler Yeats 1865–1939
An intellectual hatred is the worst,
So let her think opinions are accursed.
Have I not seen the loveliest woman born
Out of the mouth of Plenty's horn,
Because of her opinionated mind
Barter that horn and every good
By quiet natures understood
For an old bellows full of angry wind?
Or wait for mail from people they haven't written
Or still in middle age ask God for favors
Or forbid their children things they were never forbidden.
May hatred be like a habit they never developed
And can't see the point of, like gambling or heavy drinking.
If they forget themselves, may it be in music
Or the kind of prayer that makes a garden of thinking.
May they enter the coming century
Like swans under a bridge into enchantment
And take with them enough of this century
To assure their grandchildren it really happened.
May they find a place to love, without nostalgia
For some place else that they can never go back to.
And may they find themselves, as we have found them,
Complete at each stage of their lives, each part they add to.
May they be themselves, long after we've stopped watching.
May they return from every kind of suffering
(Except the last, which doesn't bear repeating)
And be themselves again, both blessed and blessing.
_______
A Prayer for my Daughter William Butler Yeats 1865–1939
An intellectual hatred is the worst,
So let her think opinions are accursed.
Have I not seen the loveliest woman born
Out of the mouth of Plenty's horn,
Because of her opinionated mind
Barter that horn and every good
By quiet natures understood
For an old bellows full of angry wind?
Helpless
by: Neil Young, 1945-
There is a town in north Ontario,
With dream comfort memory to spare,
And in my mind
I still need a place to go,
All my changes were there.
Blue, blue windows behind the stars,
Yellow moon on the rise,
Big birds flying across the sky,
Throwing shadows on our eyes.
Leave us
Helpless, helpless, helpless
Baby can you hear me now?
The chains are locked
and tied across the door,
Baby, sing with me somehow.
Blue, blue windows behind the stars,
Yellow moon on the rise,
Big birds flying across the sky,
Throwing shadows on our eyes.
Leave us
Helpless, helpless, helpless.
There is a town in north Ontario,
With dream comfort memory to spare,
And in my mind
I still need a place to go,
All my changes were there.
Blue, blue windows behind the stars,
Yellow moon on the rise,
Big birds flying across the sky,
Throwing shadows on our eyes.
Leave us
Helpless, helpless, helpless
Baby can you hear me now?
The chains are locked
and tied across the door,
Baby, sing with me somehow.
Blue, blue windows behind the stars,
Yellow moon on the rise,
Big birds flying across the sky,
Throwing shadows on our eyes.
Leave us
Helpless, helpless, helpless.
16 March 2011
Was a Man by Philip Booth, 1925 - 2007
Was a man, was a two-
faced man, pretended
he wasn't who he was,
who, in a men's room,
faced his hung-over
face in a mirror hung
over the towel rack.
The mirror was cracked.
Shaving close in that
looking glass, he nicked
his throat, bled blue
blood, grabbed a new
towel to patch the wrong
scratch, knocked off
the mirror and, facing
himself, almost intact,
in final terror hung
the wrong face back.
_________
Emily Dickinson, 1830 - 1886
Heart, we will forget him,
You and I, tonight!
You must forget the warmth he gave,
I will forget the light.
When you have done pray tell me,
Then I, my thoughts, will dim.
Haste! ‘lest while you’re lagging
I may remember him!
faced man, pretended
he wasn't who he was,
who, in a men's room,
faced his hung-over
face in a mirror hung
over the towel rack.
The mirror was cracked.
Shaving close in that
looking glass, he nicked
his throat, bled blue
blood, grabbed a new
towel to patch the wrong
scratch, knocked off
the mirror and, facing
himself, almost intact,
in final terror hung
the wrong face back.
_________
Emily Dickinson, 1830 - 1886
Heart, we will forget him,
You and I, tonight!
You must forget the warmth he gave,
I will forget the light.
When you have done pray tell me,
Then I, my thoughts, will dim.
Haste! ‘lest while you’re lagging
I may remember him!
Ernest Miller Hemingway, 1899 - 1961
Ernest Hemingway was born in Oak Park, Illinois (1899). As a young man, he wanted to fight in World War I, but he had bad eyesight so he volunteered as an ambulance driver for the American Red Cross in Italy. Only one month after he started, he was passing out chocolates to Italian soldiers on the frontlines and got hit by shrapnel from an exploding shell. He spent several weeks in the hospital, where he started suffering from insomnia. He couldn't sleep without a light on for fear that he might die in the night. He traveled back to his parents' home, still recuperating from his injury. He walked around with a cane, read everything he could get his hands on, and taught his sisters Italian swear words. He was a small town war hero, and often spoke at schools and social clubs about his experience in the war. He always passed around his bloodstained, shrapnel-torn trousers. In a letter to a friend he wrote, "They've tried to make a hero out of me here. But you know and I know that all the real heroes are dead." Hemingway continued living with his parents for months, occasionally hunting and fishing with friends. He wrote a few adventure stories about the war and sent them to the Saturday Evening Post, but they were rejected. His parents accused him of "sponging," told him to get a real job, and his mother finally threw him out of the house when he was twenty-one. He got married, moved to Paris, and started hanging out with writers like Ezra Pound, James Joyce, and Gertrude Stein. He was forced to begin over again when he lost a suitcase that carried every manuscript and every copy of every manuscript he had written so far in Paris. Hemingway tried to write as simply and objectively as possible, using very few adjectives or adverbs. After he published For Whom the Bell Tolls in 1940, he began to struggle with his writing, worrying that he was repeating himself. He worked for years on a huge manuscript, and finally published just a small part of it as The Old Man and the Sea (1953), about a fisherman who catches a huge fish, only to have it eaten by sharks before he can get home. The book won the Pulitzer Prize, and a year later Hemingway was awarded the Nobel Prize in Literature. Ernest Hemingway said, "All good books are alike in that they are truer than if they had really happened and after you are finished reading one you will feel that all that happened to you and afterwards it all belongs to you; the good and the bad, the ecstasy, the remorse, and sorrow, the people and the places and how the weather was."
10 March 2011
Blowing In The Wind
How many roads must a man walk down,
before you call him a man?
How many seas must a white dove fly,
before she sleeps in the sand?
And how many times must a cannon ball fly,
before they're forever banned?
The answer my friend is blowing in the wind,
the answer is blowing in the wind.
How many years can a mountain exist,
before it is washed to the sea?
How many years can some people exist,
before they're allowed to be free?
And how many times can a man turn his head,
and pretend that he just doesn't see?
The answer my friend is blowing in the wind,
the answer is blowing in the wind.
How many times must a man look up,
before he sees the sky?
And how many ears must one man have,
before he can hear people cry ?
And how many deaths will it take till we know,
that too many people have died?
The answer my friend is blowing in the wind,
the answer is blowing in the wind.
The answer my friend is blowing in the wind,
the answer is blowing in the wind.
before you call him a man?
How many seas must a white dove fly,
before she sleeps in the sand?
And how many times must a cannon ball fly,
before they're forever banned?
The answer my friend is blowing in the wind,
the answer is blowing in the wind.
How many years can a mountain exist,
before it is washed to the sea?
How many years can some people exist,
before they're allowed to be free?
And how many times can a man turn his head,
and pretend that he just doesn't see?
The answer my friend is blowing in the wind,
the answer is blowing in the wind.
How many times must a man look up,
before he sees the sky?
And how many ears must one man have,
before he can hear people cry ?
And how many deaths will it take till we know,
that too many people have died?
The answer my friend is blowing in the wind,
the answer is blowing in the wind.
The answer my friend is blowing in the wind,
the answer is blowing in the wind.
09 March 2011
Three Perfect Days by Linda Pastan, 1932 -
In the middle seat of an airplane,
between an overweight woman
whose arm takes over the armrest
and a man immersed in his computer game,
I am reading the inflight magazine
about three perfect days somewhere: Kyoto
this time, but it could be anywhere—
Madagascar or one of the Virgin Islands.
There is always the perfect hotel
where at breakfast the waiter smiles
as he serves an egg as perfectly coddled
as a Spanish Infanta.
There are walks over perfect bridges—their spans
defying physics—and visits to zoos
where rain is forbidden,
and no small child is ever bored or crying.
I would settle now for just one perfect day
anywhere at all, a day without
mosquitoes, or traffic, or newspapers
with their headlines.
A day without any kind of turbulence—
certainly not this kind, as the pilot tells us
to fasten our seatbelts, and even
the flight attendants look nervous.
between an overweight woman
whose arm takes over the armrest
and a man immersed in his computer game,
I am reading the inflight magazine
about three perfect days somewhere: Kyoto
this time, but it could be anywhere—
Madagascar or one of the Virgin Islands.
There is always the perfect hotel
where at breakfast the waiter smiles
as he serves an egg as perfectly coddled
as a Spanish Infanta.
There are walks over perfect bridges—their spans
defying physics—and visits to zoos
where rain is forbidden,
and no small child is ever bored or crying.
I would settle now for just one perfect day
anywhere at all, a day without
mosquitoes, or traffic, or newspapers
with their headlines.
A day without any kind of turbulence—
certainly not this kind, as the pilot tells us
to fasten our seatbelts, and even
the flight attendants look nervous.
____
We should be taught not to wait for inspiration to start a thing. Action always generates inspiration. Inspiration seldom generates action.
Frank Tibolt
Personal by Irene McKinney, 1939 -
None of this is personal, not the way you'd think.
The moon keeps on traveling and I can see it
from my balcony each night and each night
different but it's not my own, not like we want
things to be our very own. But it sways me
nevertheless and stands in for certain losses
and gains and for even that much I'm grateful.
I stand at the back door and stare.
The moon keeps on traveling and I can see it
from my balcony each night and each night
different but it's not my own, not like we want
things to be our very own. But it sways me
nevertheless and stands in for certain losses
and gains and for even that much I'm grateful.
I stand at the back door and stare.
Subscribe to:
Posts (Atom)
