American author John Updike was born in Shillington, Pennsylvania (1932). His family moved to a farm when he was thirteen, so he and his father -- who was a high-school math teacher -- had to commute daily into town for school. The isolation Updike felt on the farm fueled a desire to escape his life. He escaped first through cartoons and fiction in The New Yorker, and then by winning a scholarship to Harvard. He later joined the staff at The New Yorker, but left to concentrate on his writing. A prolific writer of poetry, short stories, and essays, Updike is best known for his novels, in particular the four Rabbit books, which began with the classic Rabbit Run (1961). Updike said, "The character of Harry 'Rabbit' Angstrom was for me a way in -- a ticket to the America all around me. [The four novels] became a running report on the state of my hero and his nation." Rabbit Run begins,
Boys playing basketball around a telephone pole with a backboard bolted to it. Legs, shouts. The scrape and snap of Keds on loose alley pebbles seems to catapult their voices high into the moist March air blue above wires. Rabbit Angstrom, coming up the alley in a business suit, stops and watches, though he's twenty-six and six three. So tall, he seems an unlikely rabbit, but the breadth of white face, the pallor of his blue irises, and a nervous flutter under his brief nose as he stabs a cigarette into his mouth partially explain the nickname, which was given to him as a boy. He stands there thinking, the kids keep coming, they keep crowding you up.
Updike said: "Writers take words seriously-perhaps the last professional class that does-and they struggle to steer their own through the crosswinds of meddling editors and careless typesetters and obtuse and malevolent reviewers into the lap of the ideal reader."
In Extremis
I saw my toes the other day.
I hadn't looked at them for months.
Indeed, they might have passed away.
And yet they were my best friends once.
When I was small, I knew them well.
I counted on them up to ten
And put them in my mouth to tell
The larger from the lesser. Then
I loved them better than my ears,
My elbows, adenoids, and heart.
But with the swelling of the years
We drifted, toes and I, apart.
Now, gnarled and pale, each said, j'accuse!--
I hid them quickly in my shoes.
Boys playing basketball around a telephone pole with a backboard bolted to it. Legs, shouts. The scrape and snap of Keds on loose alley pebbles seems to catapult their voices high into the moist March air blue above wires. Rabbit Angstrom, coming up the alley in a business suit, stops and watches, though he's twenty-six and six three. So tall, he seems an unlikely rabbit, but the breadth of white face, the pallor of his blue irises, and a nervous flutter under his brief nose as he stabs a cigarette into his mouth partially explain the nickname, which was given to him as a boy. He stands there thinking, the kids keep coming, they keep crowding you up.
Updike said: "Writers take words seriously-perhaps the last professional class that does-and they struggle to steer their own through the crosswinds of meddling editors and careless typesetters and obtuse and malevolent reviewers into the lap of the ideal reader."
In Extremis
I saw my toes the other day.
I hadn't looked at them for months.
Indeed, they might have passed away.
And yet they were my best friends once.
When I was small, I knew them well.
I counted on them up to ten
And put them in my mouth to tell
The larger from the lesser. Then
I loved them better than my ears,
My elbows, adenoids, and heart.
But with the swelling of the years
We drifted, toes and I, apart.
Now, gnarled and pale, each said, j'accuse!--
I hid them quickly in my shoes.
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