Followers

02 December 2009

Edgar Allan Poe 1809-1849

To Helen
(1831)


Helen, thy beauty is to me
Like those Nicean barks of yore,
That gently, o'er a perfumed sea,
The weary, wayworn wanderer bore
To his own native shore.
On desperate seas long wont to roam,
Thy hyacinth hair, thy classic face,
Thy Naiad airs have brought me home
To the glory that was Greece
And the grandeur that was Rome.

Lo! in yon brilliant window-niche
How statue-like I see thee stand,
The agate lamp within thy hand!
Ah, Psyche, from the regions which
Are Holy Land!

The poet and short-story writer Edgar Allan Poe was born in Boston (1809). He was the son of two actors, but both his parents died of tuberculosis when he was just a boy. He was taken in by a wealthy Scotch merchant named John Allan, who gave Edgar Poe his middle name. His foster father sent him to the prestigious University of Virginia, where he was surrounded by the sons of wealthy slave-owning families. He developed a habit of drinking and gambling with the other students, but his foster father didn't approve. He and John Allan had a series of arguments about his behavior and his career choices, and he was finally disowned and thrown out of the house.

He spent the next several years living in poverty, depending on his aunt for a home, supporting himself by writing anything he could, including a how-to guide for seashell collecting. Eventually, he began to contribute poems and journalism to magazines. At the time, magazines were a new literary medium in the United States, and Poe was one of the first writers to make a living writing for magazines. He called himself a "magazinist."

He first made his name writing some of the most brutal book reviews ever published at the time. He was called the "tomahawk man from the South." He described one poem as "an illimitable gilded swill trough," and he said, "[Most] of those who hold high places in our poetical literature are absolute nincompoops." He particularly disliked the work of Henry Wadsworth Longfellow and John Greenleaf Whittier.

Poe also began to publish fiction, and he specialized in humorous and satirical stories because that was the style of fiction most in demand. But soon after he married his 14-year-old cousin, Virginia, he learned that she had tuberculosis, just like his parents, and he began to write darker stories. One of his editors complained that his work was growing too grotesque, but Poe replied that the grotesque would sell magazines. And he was right. His work helped launch magazines as the major new venue for literary fiction.

But even though his stories sold magazines, he still didn't make much money. He made about $4 per article and $15 per story, and the magazines were notoriously late with their paychecks. There was no international copyright law at the time, and so his stories were printed without his permission throughout Europe. There were periods when he and his wife lived on bread and molasses, and sold most of their belongings to the pawn shop.

It was under these conditions, suffering from alcoholism, and watching his wife grow slowly worse in health, that he wrote some of the greatest gothic horror stories in English literature, including "The Tell-Tale Heart" and "The Fall of the House of Usher." Near the end of his wife's illness, he published the poem that begins,

"Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore —
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door."

It became his most famous poem: "The Raven."

*Beauty of whatever kind, in its supreme development, invariably excites the sensitive soul to tears.

*I became insane, with long intervals of horrible sanity.

*I have no faith in human perfectability. I think that human exertion will have no appreciable effect upon humanity. Man is now only more active - not more happy - nor more wise, than he was 6000 years ago.

*I wish I could write as mysterious as a cat.

*I would define, in brief, the poetry of words as the rhythmical creation of Beauty.

*If you wish to forget anything on the spot, make a note that this thing is to be remembered.

*In criticism I will be bold, and as sternly, absolutely just with friend and foe. From this purpose nothing shall turn me.

*It is by no means an irrational fancy that, in a future existence, we shall look upon what we think our present existence, as a dream.

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