Novelist Philip Roth was born in Newark, New Jersey (1933). He grew up in a crowded Jewish neighborhood, and he always loved listening to the conversations of his neighbors. He said, "In warm weather, people sat on the stoops and on beach chairs in the driveways. [At night] you'd be sweating, trying to sleep, and you'd hear them, you'd hear their conversation all the time, and it would be very comforting."
At an early age, he began to rebel against the expectations of his community, where all the parents demanded that their kids would become successful doctors and lawyers without losing touch with their cultural roots. He said, "Newark [was] the battleground ... between the European family of immigrants ... who clung to the rigorous orthodoxy and the [American] children who wanted to be rid of all that because they sensed immediately that it was useless in this society."
He went on to the University of Chicago to study English literature, and it was there that he began to write his first short stories. He published his first book, the collection of short stories Goodbye Columbus, in 1959, and it got good reviews and won several awards. He came out with his big best seller, Portnoy's Complaint, 10 years later in 1969. He has gone on to write many more novels, including American Pastoral (1997), I Married a Communist (1998), and The Human Stain (2000). His most recent novel is Everyman (2006).
Philip Roth said, "I cannot and do not live in the world of discretion, not as a writer, anyway. I would prefer to, I assure you — it would make life easier. But discretion is, unfortunately, not for novelists."
*History... is a nightmare from which I am trying to awake.
*I write fiction and I'm told it's autobiography, I write autobiography and I'm told it's fiction, so since I'm so dim and they're so smart, let them decide what it is or it isn't.
*Is an intelligent human being likely to be much more than a large-scale manufacturer of misunderstanding?
*A Jewish man with parents alive is a fifteen-year-old boy, and will remain a fifteen-year-old boy until they die!
*It isn't that you subordinate your ideas to the force of the facts in autobiography but that you construct a sequence of stories to bind up the facts with a persuasive hypothesis that unravels your history's meaning.
*Just like those who are incurably ill, the aged know everything about their dying except exactly when.
*Obviously the facts are never just coming at you but are incorporated by an imagination that is formed by your previous experience. Memories of the past are not memories of facts but memories of your imaginings of the facts.
*Unless one is inordinately fond of subordination, one is always at war.
*When you publish a book, it's the world's book. The world edits it.
*My God! The English language is a form of communication! Conversation isn't just crossfire where you shoot and get shot at! Where you've got to duck for your life and aim to kill! Words aren't only bombs and bullets— no, they're little gifts, containing meanings!
Portnoy's Complaint
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